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when FhLY meets Metallica.

I’ve been a consistent recipient of strange dreams. And last night, I had one of the most bizarre dreams ever; it happened with such lifelike detail that I better write about it before I forget!

Now, the dream took place at Tom Lee Music (a music megastore in Hong Kong). I can’t remember who I was with but I know I was with a band buddy – I’m guessing he was either Ricky, Jeremy, Jenn Hui, Liang Zhi or Daniel. And the two of us were browsing the store, looking for the latest music records and a new guitar (don’t ask why).

Halfway through our shopping trip, we learnt that there was a special store feature for that day – Metallica was in town and its founding members Lars Ulrich and James Hetfield were going to perform an acoustic set in 10 minutes! (Now get this – I’ve NEVER heard a single Metallica song in my life and I don’t even fancy heavy metal and death metal music so I have no idea how they even got into my dreams!)

So together with the larger-than-life crowd, we were standing in the atrium on the ground floor of the store. After a little fanfare led by the emcee, Metallica made their entrance from the stage up a flight of stairs that came down from the second floor. (THE MEMORY IS STILL VIVID!) They opened the set with their most famous number, and although I can remember how it sounds like, I obviously have no clue what the song was called… They ended that song to rapturous applause from the leather-glad and heavily-bearded crowd.

Then they played their second song…

And it sounded so much like the introduction of Roller Coaster, except it’s done acoustically with an injection of heavy metal. My curiosity was instantly piqued – that definitely got my attention! They did several bars of the introduction (like any hardcore metal band would) and then the scarily-tattooed James started to sing, with gusto and aplomb…

“I SOAR UP… AND SLIDE BACK DOWN…”

!!!

Imagine my stunned face!

“I FEEL GREAT! NOTHING CAN STAND IN MY WAY…”

I was truly in shock!

And when they finished the second chorus, the both of them put their backs against each other and played Ricky’s guitar solo NOTE-FOR-NOTE. (This obviously, is the glaring discrepancy in my dream; only rock bands, not heavy metal bands, do this back-to-back action.) World-renowned musicians singing and playing Ricky’s and my song – COME ON, HOW COOL IS THAT!?

The next thing I know, I found myself at the counter – requesting an audience with their manager and agent, who unfortunately wasn’t around. So instead to speaking to him, I was referred to three Chinese old ladies (!), none of whom spoke a word of English but only Mandarin, Cantonese and Hokkien. I practically died there trying to communicate “Roller Coaster”, “Heavy Metal” and “Rock Music” with those old dames, whose faces I can still remember – wavy hair, wrinkled skin, chained glasses, gold bangles and jade rings no less to complete the look!

It was impossible to discuss royalties, fees and copyright issues with them – no chance at all.

By this time, Metallica finished playing Roller Coaster and moved on to their final song of the set. In yet another bizarre twist of events, Metallica shared their testimony of how they came to know the Lord (!!) and started to play “Leaving Ninety-Nine” by Audio Adrenaline – they were right about ready to evangelise (!!!) to the Harley-Davidson-esqe entourage! Impossibly unimaginable!

“I’d leave ninety-nine, leave them all behind, to find you…”

That, incidentally, is my iPhone’s ringtone… So you know what happened next…

BUT WHAT A BIZARRELY COOL DREAM!

I shall conclude in the words of the song made famous by Aerosmith… “Dream on, dream on, dream on, dream until your dream comes true…” This dream quite possibly fused together parts of my personality and aspirations! It’s amazing how creative we can get when we are dreaming. I love dreaming (and making my dreams come true)!

FhLY's first public performance @ Orchard Cineleisure in 2002. For now, my gigging days are behind me, but man, were those good days or what! Photo by Liang Zhi. From left to right: Douglas, Ricky, Jeremy and Joey.

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is heavy metal music really satanic?

I fondly remember sitting through one of the most interesting and informative Sunday School lessons when I was still in Secondary Three. It was called, “Hell’s Bells: The Dangers of Rock ‘N’ Roll” and according to Wikipedia, “is a Christian documentary film released in 1989… …[that] examines the relationship of rock music to sex, violence, suicide, drug use, rebellion, the occult, and other activities considered immoral by Biblical Theology.”

JN and ET stopped me at G2 this evening and asked, “Is heavy metal music satanic?” I ceased my Hebrews 4:12 lesson preparation (which I am also very excited to write about!) and gave them an answer I learnt from a video 12 years ago.

Firstly, very simply put, music is a mere combination of notes and arrangements. String a few do-re-mi’s together and add in a groove, voila, you’ll produce a melody with rhythm. Is there anything “satanic” about that? No. It’s just music.

Next, if you add certain instruments, vocal arrangements, rhythmic variations and effects, you’ll get your musical genre. Insert piano, vocal harmonies from four boys and a basic 4/4 beat, you’ll arrive at pop music. Strum it a little more aggressive, add that dash of distortion effects and a nice little guitar solo, you’ll come to rock. Load in some double-kick speed-demon drumming, go wild on that extra distortion and start hollering like a man with very bad sore throat, and perhaps you’ll end up with heavy metal music. Is there anything “satanic” about that? No. It’s just music.

When Beethoven started composing all his masterpieces, the people weren’t used to it and called it, “The Devil’s Music”. Same thing happened for The Beatles, Elvis Presley, then disco in the 80’s, rock in the 90’s and now they’re calling R&B “The Devil’s Music” and Beethoven, “soothing neutral music”. This reflects the inconsistent and fickle cultural adaptation and acceptance; once something goes against the norm, it becomes “The Devil’s Music”. Now, may I propose that we STOP giving so much credit to the devil? Music is just a combination of notes, arrangements and effects, for crying out loud.

Hell’s Bells, however, did teach me a qualitative and quantifiable method of assessing music. Do remember that I learnt this when I was 15 years old, so forgive me if I have unwittingly modified the original lessons. (I think what I do know are practical handles anyway.) So look out for these three factors when you determine whether the music that you’re listening to is beneficial for you or not:

  1. Image they portray – consider their onstage portrayal and how they represent themselves in photographs, posters, CD covers, on the internet, etc. Example of a negative image – Marilyn Manson. See pictures of him here.
  2. Lifestyle they lead – consider their offstage way of life and the moral values that they subscribe to when they are not performing or in the limelight. Example of a negative lifestyle – Jimi Hendrix. (For your info, for the classical music maestro that he was, “Tchaikovsky was never emotionally secure, and his life was punctuated by personal crises and periods of depression. Contributory factors were his suppressed homosexuality and fear of exposure, his disastrous marriage, and the sudden collapse of the one enduring [13-year] relationship of his adult life.” Source: Wikipedia)
  3. Lyrics they produce – consider the message and philosophies that they subscribe to in the songs that they sing and present, whether live or in the studio. Example of negative lyrics – Shaggy’s “It Wasn’t Me”. See song lyrics here.

I hope these simple guidelines would help you to determine the type of artistes or songs you put into your iPod.

P/S: As it stands, my WordPress statistics reveal that 16 people have clicked on the personality temperament test link but only three have shared their results here! Come on, share your discovery with me! (:

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