All right, I’ll be honest here if you don’t mind (not that you can stop me anyway). As a performer, I absolutely love the stage and to perform on it; I’m even honest enough to admit that I thrive under the limelight. The stage is my little paradise and the older I get, the more I enjoy (and miss) performing, maybe because I’ve found my niche and forte as an artist. Due to this love for performing, I’ve always regretted that I’ve only been able to be involved in a musical just once in my entire 13 years with Grace Assembly – when I was 14 years old! I hope I will have the opportunity to be involved in another major production one day. (Actually, I told VY that I’ve already set my eyes on only that one role should we actually decide to make a musical out of it.)
On a side note, I believe that there’s a gulf of difference between a singer and a lead singer – and it’s one reason why I’ve always enjoyed being a lead singer more than a worship leader despite the many similarities in both roles. I long for the day that I get to perform regularly with a rock band again – to belt out original compositions, express the emotions of a ballad through convincing performances, and to bring these songs all over the region through gigs, tours and music CDs. I firmly believe that there’s a part of the human soul that only music can reach.
I’m about to go offtrack again; I had actually written two other paragraphs before I decided to save that for another time; this entry would be too long if I were to throw in my band history (which makes for good reading on separate entry anyway). Tonight, I’ll take a stroll down memory lane and recall the first ten songs (that come to my mind) that I’ve enjoyed performing over the decade as a wannabe rock star.
I present this list of my top ten favourite songs to perform (over the years) in no order of preference or chronology:
1. Tears in a Bottle – FhLY. There were two performances which I fondly remember about this signature FhLY song. One was when the song debuted and received DL’s friends’ affirmation of its lyrical ministry. The other at the outdoor Cineleisure gig was more memorable – I had completely forgotten the lyrics to the second verse and being a rather inexperienced performer then, I downright froze on stage and stopped singing altogether; this resulted in a minus one track for 30 seconds until I regained my composure and picked it up again at the chorus.
2. Put Your Arms Around Me – All Star United. DH and I began performing this anthem when we were in secondary school and it followed us through our polytechnic days. Practising and performing this song as Castor & Pollux brings back an influx of fantastic memories. I believe this to be one of the songs that really demonstrate the musical and performance chemistry I have with DH. The one at the Salvation Army auditorium really stood out as our first performance outside the school compounds.
3. Safe and Sound – Castor & Pollux. I’ve said it to DH a million times – that this composition remains my favourite of the hundreds of songs he’s written (no exaggeration). It debuted at the Singapore Street Festival gig at Heeren and has remained a crowd favourite as well as a mainstay in every single Castor & Pollux gig ever since. I’ve always told DH that if I were to ever audition for any talent show, I’d most certainly use this soulful and stirring piece as my song choice because of how it coincidentally brings out my vocal (and emotive) range rather perfectly.
4. What a Difference a Day Made – Jamie Callum. JT and I made our debut as a duo at the R-AGE 10th Anniversary gala dinner. I can’t remember if we had volunteered for it or if the organisers asked us, but I was glad we performed it anyway! It was the first time I attempted a slow jazz number with a piano and I absolutely enjoyed singing with a non-rock voice. I’d like to believe that it was a pretty classy and classic performance. Allow me to indulge – if there was a word to describe how I felt after that performance, it’d be “charming”.
5. I Love to See You Smile – Homer Simpson & Marge Simpson. I think this song made its debut at one either my 18th or 21st birthday party and it received such a positive response that DH and I kept resurrecting it gig after gig. It remains one of the best songs to open a set because of how cute and innocent it is.
6. Hands Down – Dashboard Confessional. As Castor & Pollux, this was the first and only time we’ve performed Hands Down, and we didn’t even plan to. We had planted a couple of encore items at the Ben & Jerry’s gig but Hands Down wasn’t in our original lyrics set. At a time when Hands Down was at the tip of the mouth of every emotionally-charged young male, it was performed by popular demand; besides, we had already jammed it so many times and had the lyrics engraved into our hearts, we just spontaneously pulled it off. And it absolutely rocked the house!
7. Coastline – Rust. It never fails to amaze me how a simple four-chord song has stood the test of time and emerges to be the all-time favourite song of all the (other more accomplished) songs that DH has ever written. I remember struggling to sing this song when my falsetto was a lot weaker as a raw vocalist. Without a doubt, I’ve enjoyed performing this song most at X&C’s wedding dinner.
8. The Day – FhLY. Every performer simply has to have a melodramatic moment and it couldn’t come as dramatic as this one. Written to describe the scene and emotion of saying goodbye to a person at the airport, I performed this song at the Cineleisure gig, at the time when it was drizzling heavily. The relentless beating rain pounding against the beating heart of a man with reeling emotions… I remember AC tearing as I performed it because she felt the full force of my emotions!
9. I Liked You – Castor & Pollux. While the original remains one of my favourite compositions so far as well as one of Castor & Pollux flagship songs, I was cheeky enough to tweak the lyrics and I performed the spoofed version at the Blackmarket gig. I think the audience enjoyed the mischief in the updated lyrics and JT even felt it was my way of getting back at the girl whom I wrote this song for. Well, I haven’t quite confirmed it to this day and I don’t intend to. Read between the lines!
10. Roller Coaster – No One Else Band. There was no way I’d leave out this high-energy song. Due to some miscommunication, RL and I only submitted one song from our days together in FhLY. Should a sequel album be produced, we will definitely submit more songs. As for its performance, I will never forget the moment I walked out from the backstage of the G2 Sanctuary to centre stage during the No One Else album launch concert. To date, it’s the closest I’ve ever felt as a rock star.
I reckon the ones who would enjoy this entry most are those whom I’ve mentioned. As for me, I’ve enjoyed every single moment of my journey as a performer! Have you found your niche in life? Have you discovered your forte? When you do, you’ll be able to come up with your own top ten list and I’d love to read it.
A gentle reminder for the bible-giveaway competition. The response so far has been OH-SO-ENCOURAGING. -_- Do remember that the competition ends in 10 days on 14th May. I really want to hear from you! So go on, write to me and win a brand new bible!
As I lounged into my seat to observe AS’s piano recital at the Yong Siew Toh Music Conservatory yesterday, I realised that I grew frustrated at my inability to fully appreciate the beauty of the Chopin pieces that she was apparently playing so brilliantly. It was an accomplished performance, no doubt; her fingers moved so much faster than I could move my lips, musically it sounded like a formidably difficult piece to pull off with so many off-beats, odd synchronisations, and flats and sharps that seem to fit in perfectly when they normally would sound out of place. It was only the second time I saw Singapore’s child (now teenage) prodigy in action but there I was, reclined in my comfortably red seat, wishing that my musical knowledge was more inclined so that I could appreciate her performance at the level that it was meant to be appreciated at.
How do you enjoy a performance you can’t appreciate? I’m inclined to believe that talent is best appreciated by the talented, for our enjoyment is vastly limited and restrained to our personal capacities and standards – I could never fully comprehend the difficulty of AS’s piano pieces and the level of her accomplished techniques; my enjoyment was sadly limited to a mere sensory admiration, instead of a technical, emotional and intellectual appreciation. Football, music and even preaching are all art in various forms but our appreciation of even its respective equipment knowledge or showmanship styles has been greatly marginalised due to our ignorance of these art forms. We won’t even be able to comprehend the painstaking efforts and countless hours invested to perfect the art.
I found myself asking two questions:
- How should you apply the talent at your disposal?
- How should you appreciate the talent on display?
So as I fidgeted in my seat, I naturally recalled the parable of the talents, where it’s not about how much talent you have, but about what you do with it. Each of us would have our assigned lots in life. The whole idea is to utilise the lot in the best way you know how to; for the more you use it, the better you get at it and may possibly even acquire new skills along the way. I think this is applicable to any art form. Think about it – if I decide to practise scales in a bid to up my guitar playing ability, and I get good at it, I will open up the door to new genres of music for me to learn and appreciate. In football, if I put myself through dribbling drills, I will eventually get stronger on my weaker leg, and I will open up the option of eventually shooting or crossing with my weaker foot. Before I could polish my abilities as a lead singer, I had to ensure that my basic singing abilities were above average. Practice doesn’t just make perfect – it paves the path for new skills.
I remember a quote by John Keating from one of my all-time favourite movie, Dead Poets Society:
“… And medicine, law, business, engineering – these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love…
These are what we stay alive for.”
I think that beauty is multi layered – where one standard of excellence is carefully smuggled beneath another. I juxtapose the foundations of three art forms – the left and right hand of a pianist, the skill and the fitness of a footballer, and the preparation and oration of a preacher. The pursuit of excellence and the discovery of new art forms will exponentially enhance and elevate our appreciation of life.