Daily Archives: April 28, 2010
how should you apply and appreciate talent?
As I lounged into my seat to observe AS’s piano recital at the Yong Siew Toh Music Conservatory yesterday, I realised that I grew frustrated at my inability to fully appreciate the beauty of the Chopin pieces that she was apparently playing so brilliantly. It was an accomplished performance, no doubt; her fingers moved so much faster than I could move my lips, musically it sounded like a formidably difficult piece to pull off with so many off-beats, odd synchronisations, and flats and sharps that seem to fit in perfectly when they normally would sound out of place. It was only the second time I saw Singapore’s child (now teenage) prodigy in action but there I was, reclined in my comfortably red seat, wishing that my musical knowledge was more inclined so that I could appreciate her performance at the level that it was meant to be appreciated at.
How do you enjoy a performance you can’t appreciate? I’m inclined to believe that talent is best appreciated by the talented, for our enjoyment is vastly limited and restrained to our personal capacities and standards – I could never fully comprehend the difficulty of AS’s piano pieces and the level of her accomplished techniques; my enjoyment was sadly limited to a mere sensory admiration, instead of a technical, emotional and intellectual appreciation. Football, music and even preaching are all art in various forms but our appreciation of even its respective equipment knowledge or showmanship styles has been greatly marginalised due to our ignorance of these art forms. We won’t even be able to comprehend the painstaking efforts and countless hours invested to perfect the art.
I found myself asking two questions:
- How should you apply the talent at your disposal?
- How should you appreciate the talent on display?
So as I fidgeted in my seat, I naturally recalled the parable of the talents, where it’s not about how much talent you have, but about what you do with it. Each of us would have our assigned lots in life. The whole idea is to utilise the lot in the best way you know how to; for the more you use it, the better you get at it and may possibly even acquire new skills along the way. I think this is applicable to any art form. Think about it – if I decide to practise scales in a bid to up my guitar playing ability, and I get good at it, I will open up the door to new genres of music for me to learn and appreciate. In football, if I put myself through dribbling drills, I will eventually get stronger on my weaker leg, and I will open up the option of eventually shooting or crossing with my weaker foot. Before I could polish my abilities as a lead singer, I had to ensure that my basic singing abilities were above average. Practice doesn’t just make perfect – it paves the path for new skills.
I remember a quote by John Keating from one of my all-time favourite movie, Dead Poets Society:
“… And medicine, law, business, engineering – these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love…
These are what we stay alive for.”
I think that beauty is multi layered – where one standard of excellence is carefully smuggled beneath another. I juxtapose the foundations of three art forms – the left and right hand of a pianist, the skill and the fitness of a footballer, and the preparation and oration of a preacher. The pursuit of excellence and the discovery of new art forms will exponentially enhance and elevate our appreciation of life.